He brings several motives back during his solo, pulled from the beginning. Blue Bossa is a really fun jazz standard to improvise over. I will sometimes circle alterations if I like how they are used over a particular chord or passage. Of course, Nicholas is at another level, but I’d like to think I’m on my way. Transcription of Kelly Jefferson’s Solo on Confirmation. CAT = Chromatic Approach Tone Grammy Award-winning Nicholas Payton is a multi-instrumentalist, vocalist, composer, producer, arranger, essayist, and social … Minor changes going into a nice ii V7 I. He says jazz, as we know it, is dead. Link FNMUSICWEB's own Trumpeter Farnell Newton on a weekly series of performing transcriptions live! In the analysis I marked the first Bb and drew a line to show where it finally resolves. Super cool that he checked it out, we’re grateful that he’s cool with us posting his work. I have always looked up to Payton, since getting in to this music. Nicholas Payton on Elvin and Comping: “Here’s the thing: The “Elvin thing” most drummers … Clifford nails every chord change as usual. Drummer George Coleman Jr. also chimed in with some great info. Dexter also uses a lot of pentatonic licks and keeps the solo … Nick does such a wonderful job of picking an idea and developing it. “Rant” does not accurately portray Payton’s recent blog posts on his website found here: http://nicholaspayton.wordpress.com/. Email This BlogThis! Nicholas Payton recently posted his thoughts about comping on the drums over on his Instagram account. For instance, in a ii V7 I in Cmaj, if the sololist moves from the seventh in G7 (F) to the third in CMA7 (E), that is guide tone movement. There are a lot of ii V7 I licks to grab from this transcription that sound so natural. An example of a Chromatic Approach Tone is when the soloist surrounds the resolution note with half steps. Blue Bossa is a really fun jazz standard to improvise over. Just posted an updated version of the PDF to correct a mistake in the transcription (had two notes reversed in mm 25, 27 and 193, 195). It just feels so good! Will I ever be able to play you? Second, it seems as though my poor choice of words (i.e. So there. Dexter also […] Read the rest of this entry… I will sometimes mark the scale mode the soloist is using if I like how it is used. I mark Guide Tones (3rds and 7ths) on every big beat (1 & 3). Alterations There’s some deep insight that I wanted to share. Super cool that he checked it out, we’re grateful that he’s cool with us posting his work. 1-4 he repeats the rhythm while stepping down chromatically each repetition. Download the latest version, Nicholas Payton, You Stepped Out of a Dream, Elena Pinderhughes’ Solo on Letter to the Free – From Common Tiny Desk at the White House, Guest Post by Spencer Ritchie: Lewis Nash, Monk’s Dream, Guest Post By Ben DeVries: Roy Hargrove, I’m not so sure, Guest Post by Italo Sales: Wes Montgomery, Four on Six, Joshua Redman, Straight, No Chaser (pt 1). Nicholas Payton on Elvin and Comping: “rant”) has caused the point of the second paragraph to become somewhat misconstrued. Needless to say, he’s certainly opened the conversation, and it’s one we should all be having anyway. Drummer George Coleman Jr. also chimed in with some great info. It reminds me of what we used to call the “Summerville” sound back in Boston in the late 80s and early 90s. Guide tones are thirds and sevenths in every chord. Rant, by definition, means to “speak or write in an angry or violent manner.” That’s not fair to Nicholas, and it is not what I was trying to say. First, Nicholas Payton checked the transcription out and let us know that he actually arpeggiates an E minor 7th chord (concert) on the second to last bar of the solo. The music he makes is always inspiring to me, and I’ll take in to consideration what he has to say about the state of jazz since, you know…he is the state of jazz. He gets close a couple of times, develops for about 6 bars, and then finally does resolve down the the A, the 5th of the one chord.  Amongst all of the recent gigs Nicholas is playing, he’s also been active on both Twitter and Facebook. Mostly what sticks out to me is his sense of feel and time. Transcribing, and learning tunes and solos by ear has been how this art was learned since the beginning. Daahoud is a tough tune to solo over as well. Last month, trumpeter and composer Nicholas Payton had the U.S. premiere of his Black American Symphony with the Colorado Springs Philharmonic. Share to Twitter Share to Facebook Share to Pinterest. There are a lot of ii V7 I licks to grab from this transcription that sound so natural. I analyzed the solo in the trumpet key (Bb), because that’s what I transcribed with and practice the solo in. This jazz trumpet solo is so good it’s debatable whether or not Clifford Brown didn’t plan … That means the F natural on the and of 3 is an F#. Nicholas Payton ‘Creating Culture’ By Marquis Hill with Phillip Lutz Trumpeter Marquis Hill interviews one of his key influences: Payton. [amazon asin=B00123KEOQ&template=iframe image] Download the transcription: Concert, Bb, Eb, Bass Clef [audio: High Clip] Ahh, BeBop. This is not to minimize what the greats in the music did before him, but to build on it. I got this disc when I was a freshman in college. There are a couple of sequencial moments that are worth noting, both in mm 11 and 12, and mm 15-18. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. After reading his posts, I feel like I am beginning to “get it,” though I am not sure I could ever really “get it,” since so much of his point of view comes from a Black American perspective, something I could never fully understand. When The Saints Go Marching In chords by Nicholas Payton. There are so many great figures for analysis in this solo. I meant that he has been talking about the state (or non-state) of jazz in a passionate manner. He is also a prolific and provocative writer who comments on a multitude of subjects, including music, race, politics, and life in America. Soloists often use Guide Tones as target notes or launch points.They’re all over on the strong beats in Payton’s solo. Gimme! Download the Transcription: Bb, Eb, C, Bass Clef. One of my favorite moments is the last 8 bars or so of this solo. The groove is what first got me. Guest Post by John Raymond: Miles Davis, Walkin’ (4 Versions), Transcription Applications and Techniques. I really like how it sounded. This Jazz trumpet solo of Nicholas Payton starts off nicely on the head with just guitar and trumpet. We appreciate your help. Today’s post is a short and sweet Ben Webster solo over Duke Ellington’s rhythm changes tune “Cottontail.” Ben uses a fair amount of repetition to develop his ideas through the solo. GT are often used as foundation, or jumping off points for the soloist to go in to more uncharted territory. Dean Town Bass Transcription… This month I have for you the Dean Town Bass Transcription.This is an interpretation of Joe Dart’s bass line for the much-loved single. ANT = Anticipation Should be B natural then C on the and of 3 and on beat 3. Still, we come from the same lineage, Nicholas and I. We’ve studied the same players, and sometimes, play the same music, whatever you’d like to call it, or not call it. Movement” is when the soloist is using if I like this Nicholas Payton trumpet of. Solo over as well or non-state ) of jazz in a passionate manner on big. 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